Showing posts with label architecture. Show all posts
Showing posts with label architecture. Show all posts

Sunday, July 21, 2013

21/7/2013: WLASze Part 3: Weekend Links on Arts, Sciences and zero economics

The third part of my regular WLASze: Weekly Links on Arts, Sciences and zero economics...
Parts one and two are available here and here. Enjoy!


On science, first.

The EU calls for a radical action to cut carbon emissions on Mars… well not quite, but sometime ago, they could have with some justification, some 3.6 billion years ago: here. Alas, the Martians were not to be blamed, it appears, for that environmental disaster, as much of the CO2 concentration on the Red Planet is due to rapid and massive thinning of the atmosphere, as new data from NASA's Curiosity rover shows: here.


And on arts - more specifically, architecture.

Here's an excellent retrospective of new architectural practices from around the world by the Wallpaper: http://www.wallpaper.com/directory/architects/2013

Numbers 13-16 are a delightfully whimsical translation of a barn-set modernism.
Brilliant treatment of stairs in number 29

A physical proof that modernising garden gnomes is not an improvement on the hideous original at numbers 36-38. A great attempt at doing the obvious: merging outdoors with indoors and opening up to light and view at 92-95 and 106-109… and so on… drive through this deck!

And Metropolis mag has another, much more pret-a-porter stairway treatment - http://www.metropolismag.com/July-August-2013/Ready-to-Build/


My most favourite museum in the world, NYC's MOMA is having two exhibitions not to miss: the first one is the Rain Room installation: http://www.moma.org/visit/calendar/exhibitions/1380

and Le Corbusier: An Atlas of Modern Landscapes retrospective http://www.moma.org/visit/calendar/exhibitions/1321. The clinical painting devoid of dynamism (Le Corbusier was a lousy painter, as most architects are) contrasted by surgical ability to restructure space (Le Corbusier was a brilliant architect, intuitive and bold at the same time, dynamic and imposing, a fine balancing act of mass and space).

Both exhibitions are, ultimately, about forced interactions between external and internal , both are basically about pushing nature into our domain (yes, in that - reversed - order).


Moscow Biennale is coming up in the second half of September:
http://www.theartnewspaper.ru/posts/104/
Official site here: http://5th.moscowbiennale.ru/ru/ or in English: http://5th.moscowbiennale.ru/en/
You can see previous Moscow Biennale site here: http://4th.moscowbiennale.ru/ru/
Special Projects section is of interest while the rest of the site is still being assembled: http://5th.moscowbiennale.ru/en/program/special_projects.html


An interesting article on the issue of whether dinosaurs were cold- or warm-blooded suggesting that the latest evidence points to the latter possibility: link here.


Dinosaurs might have been warm blooded, but our news flow this week, concerning Detroit, was very much cold-blooded, with Detroit being in the news - for the wrong reasons, but possible for the right outcome as I argued here: http://trueeconomics.blogspot.ie/2013/07/1972013-detroit-officially-files-for.html. However, as they point out in Detroit's favourite graffiti message:


For all its multiple 'fails', there's always a reminder of the Detroit's good corners. DIA is one… a superb museum…
http://www.dia.org/object-info/1b623d3b-2a68-4c93-8fea-2073126e55e0.aspx?position=50
Kiki Smith, Lot's Wife, 1997
http://www.dia.org/object-info/df738a50-a117-494f-a6dd-3ceedfd6f442.aspx?position=55
Beverly Fishman, C.E.L. 1997 MediumCollage, resin, paint
http://www.dia.org/object-info/b421345c-1220-444c-827e-f5329e997fbd.aspx?position=91
Clyfford Still 1951. Oil on Canvas - my favourite of all DIA collection:


And, H/T to @FrankSunTimes we also have Detroit's music legacy: http://www.bbc.co.uk/news/entertainment-arts-23377160. MrsG has encyclopedic knowledge of this stuff...


Last point on the arts via ArsTechnica:
http://arstechnica.com/business/2013/07/algorithmically-generated-artworks-comprise-average-of-faces-from-movies/#image-3

I am not sure this qualifies as art, since the whole project is a simplified form of averaging based on dimensional measurements. There is a very clear separation between a mechanical averaging exercise and a perceptive interpretation of the average by an artist or a human observer.

To see this, look no further than the most famous 'averaging' attempt by an artist (actually two artists together - Vitaly Komar and Alex Melamid) here: http://awp.diaart.org/km/painting.html. Artists' official webpage is here: http://www.komarandmelamid.org/. The duo brilliantly took their Most Wanted and Least Wanted paintings series to music: http://www.wired.com/listening_post/2008/04/a-scientific-at/


And for another dose of smiles, recall Mr Grigory Yakovlevich Perelman (You say who? I say Poincare) who in 2006 was confirmed by the Science journal to have proved the famous Poincare Conjecture that eluded mathematicians from 1904… Mr Perelman has a beautiful mind. And as such, he is rather eccentric, earning him number 1 spot in Top 10 Odd News Stories of 2011: http://www.upi.com/News_Photos/Features/Top-10-Odd-News-Stories-of-2011/5963/ (H/T to @greentak for spotting the list). One obviously wonders what his Mom response was when he came back home with the news: "Ma, I told em to shove their 1 million dollars where the sun doesn't shine, cause I can control the universe, ya know!" Needless to say, Mr Perelman has not been seen in the news ever since… Note, the Dude also declined Fields Medal (2006) which is the equivalent of the Nobel Prize in mathematics.

So little does Mr Perelman engage with the media or the public, that his life is already attracting that voyeuristic attention which can only be attracted by the unattainable (oh, human nature) - there's a German book on his life out last month:  http://www.welt.de/geschichte/article117427879/Die-wahnhafte-Welt-des-russischen-Rechen-Genies.html.

Here are some good academic links on Perelman's proof of Poincare Conjecture: http://www.math.ucla.edu/~tao/285g.1.08s/ You can feel your brain twist reading this and after about an hour, you too can get to the point of controlling the universe... just don't tell your Ma, please... And should you be at risk of gaining such powers, a non-technical discussion: http://theconversation.com/millennium-prize-the-poincar-conjecture-4245.

Image from the Clay Institute and a write up: http://www.claymath.org/millennium/Poincare_Conjecture/


The end of WLASze for this week… 

Saturday, June 22, 2013

22/6/2013: Weekend Reading Links: Part 2 of 3


The second post (of three) of my regular weekly feature of the Weekend Reading Links On Arts, Sciences and Zero Economics (see the first post here: http://trueeconomics.blogspot.ie/2013/06/2162013-weekend-reading-links-part-1.html):

Some interesting long-exposure photos: http://likes.com/misc/amazing-longexposure-pics-of-star-trails?v=eyJjbGlja19pZCI6IDExNzI1NDE3MDMsICJwb3N0X2lkIjogMjUxMTQ1OTZ9 These remind me of the dynamics of Hurst's spin paintings series and a circular geometry with fractal qualities of Frantisek Kupka.


Some stunning architecture next:

http://www.designboom.com/architecture/tatiana-bilbao-studio-visit-interview/
That 'gabriel orozco house', roca blanca, mexico, 2008 project evokes Casa Malaparte. my favourite house in all of the world... well, one of the most favourite ones, because it has to compete with Neutra(s) and Mies Van Der Rohe(s) and so on...


Same forceful linear projection into the landscape, same blending into the physical geometry of the landscape and same play on contrast of height and angularity:



Where science meets art: Images of Cosmographic Maps Chart Galaxies and Superclusters in Local Universe
http://www.wired.com/wiredscience/2013/06/cosmography-maps/?cid=co8792474 via @wiredscience and @adamspacemann
I love the term 'local universe'...  Awesome maps show you galaxies and cosmic clusters... and wonkishly clinical 'flow' map... of the 'local universe'


Back on Earth, 'local universes' are moving, again...
http://www.sciencedaily.com/releases/2013/06/130617104614.htm
Just as G8 announced bringing closer (via trade) North America and Europe, so in geology the process of driving Europe closer to the USofA et al is on... so non-economic quote of the day is "This break-up and reformation of supercontinents has happened at least three times, over more than four billion years, on Earth. The Iberian subduction will gradually pull Iberia towards the United States over approximately 220 million years." I dare say, those visas one day will be done with and then Dublin Airport US immigration clearance desks will have to be abandoned.


http://www.urbannexusinitiative.com/ is hosting an exhibition on Liffey: A boulevard of rooms + corridorshttp://www.urbannexusinitiative.com/May-2013(2689947).htm This really is worth much more than just few web pages, so let's hope the folks at Urban Nexus get their act together and produce a killer site with images, interaction etc...
As Joseph Brodsky noted:
"What do you love most of all?
Rivers and streets - the long things of life"
Liffey is a tortured river, defaced by modern and contemporary ugliness and decay in places, as well as by spots of rather banal old architecture too, yet highlighted by moments of beauty and by more recent city efforts to bring it to life. It is alive and it is stunningly beautiful as a counterpoint to and reaffirmation of what we, humans, have wrecked around it: good and bad. It is one of the three core natural attractors that create a physically visual pull of Dublin (the other two being Wicklow mountains and the Dublin Bay, the latter being equally defaced by our inability to stop abusing the commons of nature).


The third post of links for this weekend (I warned you I have many this time around) is coming up, so stay tuned.